Max & Paddy's Road to Nowhere
© 2004 Phil McIntyre Television
Max Bygraves & Paddy O'Shea were the bouncers at Brian Potter's Phoenix Club. But now they're on the road. They have a motor-home, no sense of direction and no particular ambition to fulfil. This road trip, however, will see them embarrassed, lost, hungry, imprisoned, reunited and robbed. Not necessarily in that order. Dink dank doo!
ADDED: | CLIPS: 22
WARNING: ADULT CONTENT!
PLAY ALL 22 CLIPS |
Clip 1 S01 E01 |
It's the theme music, sung by Peter Kay and Patrick McGuinness. It'd make for a fantastic ringtone, wouldn't it?! |
♪ |
Max & Paddy |
Don't know where we're going, got no way of knowing, |
driving on the road to nowhere. |
|
Sponging for a living, checking out the women, |
riding on the road to nowhere. |
|
And we don't take sh*t from anyone, |
the only thing we wanna do is have some fun. |
|
Max |
We're Max and Paddy. |
Paddy |
Paddy and Max. |
Max & Paddy |
And best of all we don't pay council tax. |
♪ |
Clip 2 S01 E01 |
It's time to kit out their Fiat motor home with some 21st Century technology. And there's only one place to go for that. The back of Gypsy Joe's van. |
Joe |
Hello, boys! Welcome to Gypsy Joe's. You see anything you like, boys? |
Max & Paddy |
Do we?! |
Joe |
Well, we've got some great bargains, boys. Stereo speakers, buy one get one free. Cash down, nothing to pay in twelve months. |
Max |
And is it all... |
[He whistles and makes a hand gesture to signify "hooky"] |
Joe |
It's all, erm... |
[He copies MAX'S whistle] |
Paddy |
Have you got any of them big tellies? |
Joe |
I've got a beautiful thirty-two inch Futaba back there. Fast Text, widescreen... perfect for the families. |
Paddy |
Hey... what we'll be watching won't be for the families my friend. You know what I'm saying? Two grown men away from home. |
Max |
Hey! You can forget that. We won't be watching any of your filth on it... that's for sure. |
Clip 3 S01 E01 |
Max has set up a stolen fifty inch plasma screen in the motor home. But there's a problem. As Paddy is about to find out. |
Max |
Well? What do you think? |
Paddy |
Now that, my friend, is a Plasma screen. Oh, aye. We've got to get a bit of porn on that for the lads. |
Max |
No, we won't. I've told you. I don't want any of your filth going on it. Do you hear me? |
Paddy |
Well, half of it's mine. And my half will not be showing ninja films. Go on, turn it up. |
Max |
Erm... that's the thing. I can't. Well... I can and I can't. |
Paddy |
What do you mean? |
Max |
There's no speakers. |
Paddy |
You are joking. How are we supposed to listen to it, then? |
[MAX raises a pair of earphones which are plugged in to the screen] |
Oh, no. No. I am not watching Charlie's Anals like that. |
Clip 4 S01 E01 |
Max & Paddy are having a discussion about what modern women want. Max is out of touch with modern dating. |
Paddy |
You're living in the dark ages, man. |
Max |
Me? I'm living in the dark ages? I's not the one sitting there reading blinking Razzle1. Another waste of money. I were gonna do a... a beef boogie-on2 tonight. That's gone down the sh*t pan. |
Paddy |
Waste of money? Waste of money? We've bought a plasma screen with no speakers. No wonder we're eating Big Bob's bastard Beans! |
[PADDY storms into the bedroom, slamming the door behind him] |
|
1 "Razzle" is a pornographic magazine for men |
Clip 5 S01 E01 |
Max has bought himself and Paddy a beer at the local nightclub. And, as with most nightclubs, the round has broken the bank. |
Barman |
Seven-sixty. |
Max |
How much?! |
Barman |
Seven pounds sixty. |
Max |
For two beers? You should wear a mask and a striped jumper. D'ya know that? |
Clip 6 S01 E01 |
Paddy is trying out his "tried and tested" chat-up lines on the local women. But it's not going so well to be honest. Probably because they're crap. |
Paddy |
You all right, flower? Here's 10p. Call your Mam, tell her you won't be coming home tonight. |
Woman |
I've got a mobile, d*ckhead! |
Paddy |
Hello, nice ladies! Pick a number between one and ten. |
Woman |
Eight. |
Paddy |
You lose! Take your tops off. |
Woman |
Fu*k off! |
Clip 7 S01 E01 |
It's time to try the nightclub again. In fancy dress. Paddy looks like Richard Gere in An Officer and a Gentleman. Max looks like a rent boy from Love Boat. |
Paddy |
If you can't beat 'em, cock... join 'em. |
Max |
Hey! Now hang on. Why haven't I got one of those? |
Paddy |
They didn't have your size, flower. |
Max |
Bollocks. |
Paddy |
You look all right. |
Max |
I don't. I look like a rent boy from Loveboat, that's what I look like. |
Paddy |
Nonsense. Listen... women love a man in uniform. |
Max |
Do they? Well let's go out dressed as a couple of Nazis then. See how far we get. |
Clip 8 S01 E01 |
Max and Paddy, against the odds, have scored. They've each brought a lady back to the motor home. Paddy is drunk. And horny. Not a good combination. |
Paddy |
Hey, eh?! Now then. You two get settled. And I'm gonna give this little lady here a tour of the vessel. This is the front room... that's my room. |
[He shoves his date into the bedroom] |
Tour over! |
Clip 9 S01 E01 |
Max is asleep. Paddy is in need of some "me time" if you know what I mean. Problem is, the only place he can watch his "adult" movies is on the plasma screen which is above Max. |
[We hear the soundtrack of a porn film] |
Male |
Good morning, Anals. |
Girls |
Good morning, Charlie. |
[We hear a zipper] |
Charlie |
Bend over! |
[As PADDY begins to "get into" the action, MAX wakes up] |
Max |
Aargh! Oh God. Oh, my God. You animal. How could you? Over my sleeping body! |
Clip 10 S01 E02 |
To make some extra cash and satisfy his need for flesh, Paddy has auditioned for and got a part in an adult movie. But it's not quite what he thought it was. |
Director |
Just slip into these, will ya? Rest of your costume's hanging up. |
Paddy |
[Holding a very skimpy pair of silk shorts in this hand] |
Oh, I like it, I like it! A little bit of role-play! |
Director |
Okay, well rest of cast are in there. You get your gear on and I'll get the cameras set up. |
Paddy |
10-4! Hey... don't let me down, c*ck! Ooh, yeah! |
[Cut to PADDY throwing open the door to the studio] |
Paddy |
Right, then. Who's first? |
[He suddenly realises that the rest of the cast are muscular black men, half-naked, covered in oil and exercising with weights] |
Director |
[Bringing a clapperboard into frame] |
Willy Wa*ker and the Chocolate Factory... take one. |
Clip 11 S01 E02 |
The motor home has broken down. Luckily, Mick Bustin has come to the rescue and after a cursory examination of the vehicle, he gives Max and Paddy the bad news. |
Mick Bustin |
There's sh*t in your carburetor. |
Max |
Who's done that?! |
Clip 12 S01 E02 |
Technically homeless and at a loose-end, Max suggests a possible distraction from their current predicament. |
Max |
Why don't we spend the afternoon in the countryside? Enjoy the rather clement weather. Go for a walk. |
Paddy |
I'd sooner spend it in a brothel. |
Max |
Oh, no you wouldn't. I'll get me shorts. |
Paddy |
Oh, please God. Not the cream-coloured hot-pants. |
Clip 13 S01 E02 |
Max and Paddy are barely talking. I won't bore you with why. But to cheer Max up and get him talking, Paddy has a scenario he feels sure will bring Max back out of his shell. |
Paddy |
If you could have something to eat now, I bet I know what it'd be. Your favourite. Chicken Kiev, chips, beans and a fried egg. Am I right? |
Max |
[MAX shrugs noncommittally] |
Paddy |
And what about bringing it to you, through those trees there, a couple of naked women. And I mean... naked. "There's your meal, sir. And here's your dessert." Dink dank doo! |
Max |
What's for dessert? |
Paddy |
Whatever you desire. |
Max |
Can I have Angel Delight1? |
|
Angel Delight is a powdered dessert product produced in the United Kingdom. It is whisked into milk and allowed to set producing a flavoured mousse. |
Clip 14 S01 E02 |
Max is regaling Paddy with the story of how he met his ex-girlfriend, Tina. The story takes place half in flashback and half in the present. |
Max |
Anyway, I saw her up against bar. Nearly threw her out for underage drinking. |
Hey! You shouldn't... Oh. I do apologise. I'm sorry. I thought you were underage and shouldn't be in here. |
Paddy |
Underage? Why? How old was she, you dirty dog? |
Max |
Oh, she were old enough. It's just that she was... er... um... |
Paddy |
What? |
Max |
She was a kind of midget. |
Paddy |
Ain't that a Queen song? |
Clip 15 S01 E03 |
Long story short, Max & Paddy are in police custody having stolen a school bus full of children because Max thought that his estranged son was aboard. He wasn't. |
Paddy |
This is it now, you know. They're gonna throw away the key. |
Max |
No. No, this is just a case of mistaken identity, this. |
Paddy |
Forty kids on a coach? What did we mistake 'em for? A stag do? |
Clip 16 S01 E04 |
Paddy's cellmate is obsessed with Cliff Richard. He looks like him, acts like him and probably thinks he is him. |
Cliff |
Hi, guys. Fancy a game of tennis? Mixed doubles? |
Paddy |
I've told you. We've no balls, Cliff. |
Cliff |
That's okay. You can play with mine. See you down there. Ciao, guys. |
Max |
Bloody hell, what's he in for? |
Paddy |
Have you never heard Wired for Sound? |
Clip 17 S01 E04 |
The dark reality of prison life has hit Paddy and he realises that he'll be lucky to escape with his sanity and virginity intact. |
Paddy |
It's all right for you, you know. A good looking lad like me's a valuable commodity in here. |
Max |
What do you mean, "it's all right for me?" |
Paddy |
When Paddy steps in them showers, those lads'll think it's Christmas morning. They'll ride me like a Blackpool donkey. |
Clip 18 S01 E04 |
No matter what Max says or does, there's no shaking Paddy from his malaise. He knows he's in trouble. |
Max |
We're doin' a bit o' bird, as per. Me and you. Tango and Cash, Bodie and Doyle, Magnet and Steel. Eh? What do you say? |
Paddy |
I'm gonna get bummed. |
Clip 19 S01 E05 |
Driving along, Max and Paddy are talking about their favourite meat. |
Paddy |
Call me old fashioned but what I like is white, tender, off-the-bone chicken. What's yours? |
Max |
Cow. |
Paddy |
You what? |
Max |
COW! |
[Too late, PADDY slams on the brakes but collides with a cow in the road and sends it airborne] |
Clip 20 S01 E05 |
The cow is in the middle of the road, on its back with its legs in the air. It doesn't look good. |
Paddy |
Is it dead? |
Max |
[Kicks the lifeless beast] |
Either that or it's gonna p*ss it down! |
Clip 21 S01 E05 |
Max and Paddy are seeking compensation for the damage to their motor home. They've returned to the farm to speak to the farmer. |
Old Farmer |
If you've come looking for money, boys, you've come to the wrong place, 'ere. I ain't got nothin' 'ere. |
Paddy |
You must have something! You're a farm. |
Old Farmer |
Alls I've got left is the old girl. |
Paddy |
Hey, whoa! We don't want your wife. |
Max |
We're not swingers. |
Paddy |
No. |
Old Farmer |
Oh, no. Not my wife. She's gone, too. Dead three years this Spring. Got knocked down by a combine harvester. She's buried... over there. |
[MAX and PADDY look across the field to see a white cross as a simple grave marker] |
And over there... |
[Another field, another white wooden cross] |
And just over there... |
[A cluster of crosses mark the final resting places of the old farmer's wife] |
Clip 22 S01 E05 |
If you're Jewish or Muslim, you might find this particular clip disturbing. But rest assured that MOST of what Max says about the use of a pig's carcass is absolute bullsh*t. |
Max |
You know, you can use every bit of a pig, you know. Snooter to tooter. There's no wastage. No. Even its flute gets used. Yeah, its flute, you know... it's... pork sword. Its, erm... |
Paddy |
C*ck? |
Max |
Yeah. |
Paddy |
What for? |
Max |
Dog chews. |
Paddy |
Really? That's the last time I let a dog lick my face! |
Max |
Its eyes. You can eat its eyes. They're a delicacy in Iran. Tapas. Its tongue. |
Paddy |
What? |
Max |
Its tongue. You never had tongue? |
Paddy |
Plenty. |
Max |
Me Mam used to give me tongue every week. Regular. |